(Just Like) Starting Over

“Now it is the autumn again; the people are all coming back. The recess of summer is over, when holidays are taken, newspapers shrink, history itself seems momentarily to falter and stop. But the papers are thickening and filling again; things seem to be happening; back from Corfu and Sete, Positano and Leningrad, the people are parking their cars and campers in their drives, and opening their diaries, and calling up other people on the telephone . . . Everywhere there are new developments, new indignities; the intelligent people survey the autumn world, and liberal and radical hackles rise, and fresh faces are about, and the sun shines fitfully, and the telephones ring.”

The History Man – Malcolm Bradbury

New developments, new indignities. Some perform their indignities, some have them thrust upon them. While many labour under increasing pressures and are forced into indignities, there remains a, privileged, few in the loftier perches of the ivory tower that seem to habitually perform indignation from positions of relative comfort. Just as Bradbury observed through the acerbic whit of his “campus” novels.

In some ways this also speaks to a particular kind of sociological imagination of academia – the academic as an empowered, perhaps even powerful, individual. An individual with time and resources. That imagined individual was also, largely, male and white. It is also a satirical reflection upon the ‘radical’ academic – perceived as all bluster and little action perhaps – but also situated in a radical time – Howard Kirk, the protagonist, was a university lecturer of the 1970s. The radical pedagogue has, however, cast a long shadow from the late 20th century into the present. Some might argue this is the impetus for worthy activities like the Volunteer University, others might suggest such apparent ‘radicalism’ is a performance that shields morally questionable actions. The allusion to Corfu and Sete, or even Leningrad (now St Petersburg), perhaps also speaks of a different time – though I am not old enough to know – in which academics could afford (both in terms of time and money) to go away.

The “radical hackles” of the 2018 UK academic are perhaps frayed, with ongoing disputes over pensions and pay and uncertainties over the future of university funding. Many of us are perhaps performing the Beckett-like refrain We must go on. We can’t go on. We’ll go on. (Waiting for Godot). Term begins – even if for some it does not feel like it really, truly, ended – and we are pressed onwards.

“The recess of summer” has, for many, simply disappeared, if it ever really felt like it existed. The ‘summer term’ of exams and then post-exam activities creeps ever onwards into the time that was once jealously guarded for research. The ‘referred’ or ‘deferred’ assessments (resits or extensions) crash through the frail membrane of summer and drag the mind back to marking schemes and intended learning outcomes.

The return to term-time is often fraught. Sometimes it is simply the things we say to each other in the corridor:

How are you doing? How’s your start of term?
I’m surviving!
Only eleven weeks to go, ha ha ha

Sometimes, and especially in recent years, the churn of change – new management directives, shifts in organisational make-up – conspire to make the seemingly simple task of turning up in the right room, with the right group of students, at the right time, rather difficult.

“Fresh faces are about” at the beginning of term and we meet new and not-so-new students with a seemingly increased frequency, yet it can often feel like we only seem to know them less. Bouncing from one one-hour session to another, between year groups and perhaps between programmes, it can feel like we see more of the students but it is only from the front of a lecture theatre – a series of faces peering over a sea of glowing laptop logos.

Nevertheless, the sun shines, as it always seems to in September. Conversations begin and grow. Sometimes we can just stop to witness the changing of the season. In amongst the melee, you can sometimes, just sometimes, find the time to find yourself and try to laugh at the absurdity of those new initiatives, the new indignities. Starting all over again.

(Just Like) Starting Over – John Lennon

Reblog> CFP: 3rd International Geomedia Conference: “Revisiting the Home”

Promotional image for the Curzon Memories app

This conference looks great and has plenty of thematic resonance with a lot going on in geography and other disciplines at the moment. Worth submitting if you can… via Gillian Rose.

Everything below is copied from here.

The 3rd International Geomedia Conference: “Revisiting the Home”
Karlstad, Sweden, 7-10 May 2019

Welcome to the 3rd International Geomedia Conference! The term geomedia captures the fundamental role of media in organizing and giving meaning to processes and activities in space. Geomedia also alludes to the geographical attributes of media, for example flows of digital signals between particular places and the infrastructures carrying those flows. The rapid expansion of mobile media, location-based services, GIS and increasingly complex patterns of surveillance/interveillance has amplified the need for critical studies and theorizations of geomedia. The 3rd Geomedia Conference welcomes contributions (full sessions/panels as well as individual papers) that analyze and problematize the relations between the any and all communication media and various forms of spatial creativity, performance and production across material, cultural, social and political dimensions. Geomedia 2019 provides a genuinely interdisciplinary arena for research carried out at the crossroads of geography, media and film studies. It also builds bridges to such fields as urban studies, rural studies, regional planning, cultural studies and tourism studies.

The special theme of Geomedia 2019 is “Revisiting the Home”. It responds to the prevailing need to problematize the meaning of home in an “era of globalized homelessness”, in times of extended mobility (migration, tourism, multiple homes, etc.) and digital information flows (notably social media). While such ongoing transitions point to a condition where home-making becomes an increasingly liquid and de-territorialized undertaking, there is also a growing preoccupation with questions of what counts as home and who has the right to claim something as (one’s) home. Home is a construct that actualizes the multilayered tensions between belonging, inclusion and security, on the one hand, and alienation, exclusion and surveillance, on the other. The theme of Geomedia 2019 centers on how media are culturally and materially integrated in and reshaping the home-place (e.g., the “smart home” and the “home-office”) and connecting it to other places and spaces. It also concerns the phenomenological and discursive constructions of home, ranging from the intimate social interaction of domestic spaces to the popular (and sometimes politicized) media nostalgia of imagined communities (nation states, homelands, etc.). Ultimately, “Revisiting the Home” addresses the home as a theoretical concept and its implications for geomedia studies. The theme will be addressed through invited keynote talks, a plenary panel, film screenings and artistic installations. Participants are also encouraged to submit proposals for paper sessions addressing the conference theme.

Keynote speakers:
Melissa Gregg – Intel Corporation, USA
Tristan Thielmann – Universität Siegen, Germany

Plenary panel
“Dreaming of Home: Film and Imaginary Territories of the Real”
Nilgun Bayraktar – California College of the Arts
Christine Molloy – Film director and producer, Desperate Optimists
Les Roberts – University of Liverpool
John Lynch (chair) – Karlstad University

Abstract submissions:
Geomedia 2019 welcomes proposals for individual papers as well as thematic panels in English.

Individual paper proposals: The author submits an abstract of 200-250 words. Accepted papers are grouped by the organizers into sessions of 5 papers according to thematic area.
Thematic panel proposals: The chair of the panel submits a proposal consisting of 4-5 individual paper abstracts (200-250 words) along with a general panel presentation of 200-250 words.

Suggested paper topics include, but are not limited to:

  • Art and event spaces
  • Cinematic geographies
  • Cosmopolitanism
  • Everyday communication geographies
  • Epistemologies and methodologies of geomedia
  • Geographies of media and culture industries
  • Geographies of news
  • Geomedia and education
  • Historical perspectives of geomedia
  • Home and belonging
  • Lifestyle and tourism mobilities
  • Locative and spatial media
  • Material geographies of media
  • Media ecologies
  • Mediatization and space
  • Migration and media
  • Mobility and governance
  • Policy mobilities
  • Power geometries and mobility capital
  • Surveillance and spatial control
  • Urban and rural media spaces

Conference timeline
September 24th 2018: Submission system opens
December 10th 2018: Deadline for thematic panel and individual paper proposals
January 25th 2019: Notes of acceptance and registration opens
February 28th 2019: Early Bird pricing ends
March 15th 2019: Last day of registration

Contact: You can reach us at info@geomedia.se

Organizers and venue:
Geomedia 2019 is hosted by the Geomedia Research Group at the Department of Geography, Media and Communication, Karlstad University, Sweden.

Conference director: Lena Grip
Assistant conference director: Stina Bergman
Director of the Geomedia Research Group and chair of scientific committee: André Jansson

Why WIRED’s future never arrives – David Karpf

Promotional image for the 1995 film Hackers

Quite a good piece on the Wired website reflecting upon 25 years of predictions about the future in the pages of that magazine (though I’m not sure the exonerating final paragraph rings true). Worth a read…

Looking back at WIRED’s early visions of the digital future, the mistake that seems most glaring is the magazine’s confidence that technology and the economics of abundance would erase social and economic inequality. Both Web 1.0 and Web 2.0 imagined a future that upended traditional economics. We were all going to be millionaires, all going to be creators, all going to be collaborators. But the bright future of abundance has, time and again, been waylaid by the present realities of earnings reports, venture investments, and shareholder capitalism. On its way to the many, the new wealth has consistently been diverted up to the few.

By now, the digital revolution isn’t just the future; it has a history. Digital technology runs our economy. It organizes our daily lives. It mediates how we learn information, tell each other stories, and connect with our neighbors. It’s how we control and harass and encourage one another. It’s a tool of both surveillance and resistance. You can almost never be entirely offline anymore. The internet is setting the agenda for the world around us.

The digital revolution’s track record suggests that its arc doesn’t always bend toward abundance—or in a straight line at all. It flits about, responding to the gravitational forces of hype bubbles and monopoly power, warped by the resilience of old institutions and the fragility of new ones. Today’s WIRED seems to have learned these lessons.

25 years of wired predictions: why the future never arrives – David Karpf

Reblog> session on feminist digital geographies at AAG conference April 2019

Women Who Code

Via Gillian Rose. If you’re going to the AAG – this session is sure to be a good one.

Session on feminist digital geographies at AAG conference April 2019

This is a call for papers for a session at the next conference of the American Association of Geographers annual meeting in Washington DC 3-7 April next year on feminist digital geographies, organised by Agnieszka Leszczynski (Western University) and me. It’s sponsored by both the Digital Geographies and the Geographic Perspectives on Women Speciality Groups of the AAG.

In the context of a flurry of activities coalescing around digital geographies, we invite papers that consider the “enduring contours and new directions” of feminist theory, politics, and praxis for geographies concerned with the digital (Elwood and Leszczynski, 2018). We broadly welcome interventions that proceed from, utilize, and advance feminist epistemologies, methodologies, theory, critical practice, and activism.

We are open to submissions offering empirical, theoretical, critical, and methodological contributions across a range of topics, including but not limited to:

  • big data
  • digitally-mediated cities
  • artificial intelligence and algorithms
  • social media
  • feminist/digital/spatial theory
  • progressive alternatives and activism
  • feminist histories and genealogies

Please submit abstracts of no more than 200 words by October 15thto aleszczy@uwo.ca and gillian.rose@ouce.ox.ac.uk. Please include a title, your name, affiliation and email address in the abstract. We will respond to authors with confirmation by November 1st.

Reference:

Elwood S and Leszczynski A (2018) Feminist digital geographies. Gender, Place & Culture25(5): 629-644.

Pitching the ‘automative imagination’

Still from the video for All is Love by Bjork

I’ve got a draft book proposal. I think I know where it’s going. I’ve also had a go at securing funding (yes, I’m not holding my breath) to support writing the book and hopefully produce an associated podcast – more on that another time.

It’s perhaps foolhardy or overly optimistic but I want to share the gist of the pitch here. I’d really welcome feedback or suggestions and can share a fuller version of the proposal if you happen to be interested – please get in touch via email.

The Automative Imagination

Automation is both a contemporary and enduring concern. The ‘automative imagination’ is a way to articulating different habits of considering and discussing automation.  I am not using the neologism ‘automative’ to assert any kind of authority but rather as a pragmatic tool. Other words do not fit – to speak of an ‘automated’ or ‘automatic’ imagination does not describe the characteristics of automation but suggests the imagining is itself automated, which is not the argument I am seeking to make. This book explores how automation is imagined as much as it is planned and enacted. 

The ways in which automation is bound up with how everyday life is understood is under-examined. Expectations are fostered, with examples drawing upon popular culture and mythology, without the bases for these expectations being sufficiently scrutinised. This book examines precisely the foundations of the visions of automation we are invited to believe. Through the original conceptual lens of the ‘automative imagination’ I interrogate and thematically categorise the forms of imagination that underpin contemporary discussion and envisioning of automation. The contribution of this book is the identification and analysis of the double-bind between the widespread envisioning of an automated future, always-to-come, and the power of such visions, and those who propose them, over the ongoing projects to automate various aspects of contemporary life.

The book is organised around the theoretical framework, emerging from initial research, consisting of five figures: ‘progress’, the ‘machine’, the ‘master’/‘slave’, the ‘idiot’ and the ‘monster’. Each of these figures forms the spine of the four substantive chapters of the monograph. ‘Progress’ is popularly figured as an economic and socio-cultural force of ‘ages’, ‘revolutions’ and ‘waves’ often tied to particular technologies and plays out in cities, at work and at home. The apparatus of the ‘machine’ is often figured as the driver of change – the near-autonomous mechanisms of factories, governments and institutions are seen as both the engines and regulators of change. Members of society are figured, therefore, as either ‘master’ of or ‘enslaved’ by autonomous technology – both at work and at home. The apparent autonomy of these technologies is said to divorce citizens from knowledge of how to work and live, rendering them ‘idiots’, whilst at the same time the errors of these autonomous systems repeatedly feature in the news as somehow ‘idiotic’. Finally, and perhaps most enduringly, the abstract figure of technology as a ‘monstrous’ other to ‘the human’ occupies a significant place in the collective imagination.

The Automative Imagination demonstrates that automation, and how it functions, is imagined to focus in five interlinked geographical contexts: the city (or region), the home, the factory (or workplace), the institution and ‘in transit’. These interlinked geographies are not chapters themselves but rather form the fundamental context of the five thematic chapters of the monograph and features as central threads that weave together the conceptual narrative of the book. The contemporary ‘automative imagination’ seen through theoretical lens of the five figures and their interlinked geographical contexts is a paradox of fantasy and uniformity. The book concludes by arguing for developing more pluralised and situated imaginings of automation and offering resources for doing so.

The central methodological framework for the completion of this project is a critical reading across genres of key contemporary and archival texts. The Automative Imagination develops novel theoretical perspectives for investigating the formation of the ‘automative imagination’. These novel perspectives, organised through the five figures outlined above, are developed in the intersections of deconstruction as a method of critical thinking, feminist technology studies’ examinations of the social shaping of technology and pragmatist interrogations of the ‘everyday’ and ‘ordinary’.

This synthesis attends to the normative and situated nature of the ‘automative imagination’, through analyses of particular texts. The texts that form the basis of the analysis span three categories: academic, archival and film. Through preparatory research, a range of discourses of automation have already been identified within economics and the social sciences that provide some of the rationale for contemporary visions of automation. These are critically read together with archival newspaper and trade journal articles, novels and fiction & non-fiction films. The ground work for this analysis is already completed – identifying key sources and gathering archival materials and an initial systematic literature review of consultancy, non-governmental organisation and think tank reports.

The Automative Imagination speaks to a range of contemporary academic and policy agendas, in the UK, the EU and globally, not least the UK government’s and World Economics Forum’s ‘Fourth Industrial Revolution’ agendas. The contribution of the book is novel in the formulation of theoretical resources for understanding how automation is imagined and what work those imaginings is doing in the world.

Future of labour governance – a podcast with Jennifer Bair

Glitched Rosie the Riveter poster


From the really interesting Futures of Work journal(?)/project/website…

In a world dominated by the emergence of global supply chains, where the state-based system of labour governance has struggled to deal with the expanding influence of transnational corporations, how can workers resist exploitative labour practices and organise a future (or futures) of regulation that would guarantee decent work for all?
Jennifer Bair joins Huw Thomas in the studio to discuss the challenges and opportunities of cross border labour governance and organisation in the contemporary global economy.

Jennifer Bair – Futures of Work

Protection -18 September

[Due to family commitments and the beginning of the school year I haven’t been able to post for a while – so this post has been rattling around my head for a couple of weeks.]

There are various times in the pattern of working life in academia when we are thrown together. Conferences, training sessions, ‘away days’ and even the picket line all push us together in ways that breaks the ordinary pattern and in that mixing together we might either blend or jumble. Mixing also creates friction. Some friction can be productive; it can produce action. In 2018 the energy of the picket line during the USS pensions strike produced a lot of action, not least the creation of alternatives sources of knowledge about the USS pension scheme and it’s sustainability. Some friction wears people down, and that can often be experienced unequally (not least along lines of class, race and seniority).

The recent period in British university life has felt, to me, rather fraught. I acknowledge that this is based on rather limited experience and those with longer careers might see things differently. Nevertheless, I suggest (and of course I am not the first) that there have been a couple of defining moments that have asked searching questions of all of those that work in universities.

The first, perhaps longer-running, moment is the shift towards the university-as-a-business – with a culture of targets (income, student numbers etc), which has led to league tables, such as the Times Higher World University Rankings “Top 100”, becoming the go-to yardstick for many university leaders and arguably contributed to what my colleague Clive Barnett has highlighted as a crisis of legitimation for universities. Targets have been set not only for institutions and departments but also individuals. This has had the effect of colleagues feeling atomised and individualised.

The second, is the rather insidious recent move towards the UK government directing universities to perform border enforcement, for international students and international staff alike. Les Back writes about this through the example of the experiences of one particular international student in his Academic Diary and the distress such suspicion causes for those we ought to be welcoming*.

In both of these moments in British university life, those of us working in universities are pushed towards forms of friction – of competition and suspicion of and with one another and of our students. Both of these moments too also invite a reconsideration of what had perhaps begun to feel for some an old-fashioned or out-moded concept: solidarity.

If the friction of competition and suspicion, of atomisation and mistrust, wears down and isolates us then a perhaps a key emollient is to act in solidarity. Simply put (following Barnett’s reading of Iris Marion Young), I think this means (ethically) to share responsibility – for/to one another, for (in)action and non-domination. Solidarity means thinking about one another and acting together and on behalf of one another. Solidarity is a shared mechanism of protection.

In a session on possible futures for UK Higher Education at the RGS-IBG conference in Cardiff (2018), James Esson made a crucial, simple and powerful point: solidarity means acknowledging the humanity of one another. We get nowhere by denying one another’s humanity. It is distressing that in the everyday banality of ordinary working life, outside of the adrenaline high of the picket and other extraordinary moments, we slip all-too-readily back into habits of individualism and mistrust. As Esson says: we must strive to acknowledge one another’s humanity, I’d like to think we are all capable of this.

* See the Students not Suspects campaign.

Protection – Massive Attack

“Emett” and “Miss Honeywell”

Twiki the robot from Buck Rogers

A couple of short films produced by British Pathé, both documenting what I guess were seen as whimsical takes on computerisation and automation originating from Honeywell. I don’t have much to say about these at the moment beyond the ways in which these videos more-or-less demonstrate the biases and norms of their time (gender and sexism being the most clear here) but also the ways in which they say something about how ‘automation’, robots and forms of novel technology (and so on) have been bound up with ideas about invention (which again is coloured by contemporary assumptions about who does the inventing).

Thanks to Mar Hicks for sharing “Miss Honeywell” on Twitter.

The Computer by Emett (1966) – British Pathé
Miss Honeywell (1968) – British Pathé

Automative Imagination – slides

Automated taxi figure in the 1990 film Total Recall

Last week I was fortunate to convene and chair a fantastic double session at the annual conference of the Royal Geographical Society (with the Institute of British Geographers) in Cardiff.

The session was ‘New Geographies of Automation?‘ and featured some great papers, which I hope to reflect on in a subsequent post.

For now, I wanted to share my own slides from the paper I gave – “The Automative Imagination”. The paper was in part an attempt to set the scene of subsequent papers and also, in part, a pitch for my book project of the same title.

The presentation is more or less in two parts. First, I pitch the book topic and the way I plan on structuring it – in terms of some key ‘figures’ and some key, overlapping, geographical contexts. Second, I offer an example of one way in which the figure of ‘progress’ appears in discussions about automation in relation to widely quoted risks of redundancy and joblessness due to automation. I chart how particular forms of evidence travel through the sorts of documents often used as the basis of such claims – reports by think tanks and consultants – who in turn draw upon academic and NGO work. The aim here is to show how evidence, which becomes ‘fact’, travels, and how this is contributes to particular ways of imagining future contexts of work and living.

For more on the ‘Automative Imagination‘ project please visit the project page.